CineColor LUTs 1 by Tom Antos - Pack 1

CineColor LUTs 1 by Tom Antos - Pack 1

This is a collection of 20 look-up-tables (LUTs) that will quickly transform your footage to give it a cinematic look. Each LUT creates a unique look that can be used on its own, or in combination with your traditional color grading workflow.

The entire collection of looks was created by Tom Antos to aid in his workflow over the past few years. These original looks have been used in numerous films, music videos and documentaries that Tom has worked on.

LUTs are like a magic brush that paint your video to give it a specific look. It's a simple process of drag and dropping each LUT onto your footage to see if you like the look that it creates. That's it!

For advanced workflow, you can use standard RGB color curves to further tweak each look.

If you are not sure how LUTs are supposed to be used, then please watch this quick video.

LUTs can also be used on various field monitors that have LUT support such as the Atomos Shogun or Small-HD DP7-Pro. They are also compatible with most digital video and stills cameras on the market!

To see the color treatment that each LUT produces, please see the following gallery:
Pack 1 LUTs

CineColor LUTs work with Rec.709 footage, which is the standard color space. So if your camera shoots in Rec.709, then you can directly apply any of the CineColor LUTs to your footage.

If your camera shoots in a flat LOG profile, like S-Log (Sony A7S, FS-7, etc.), or C-Log (Canon C100, C300, etc), then you can apply one of our additional LUTs, to convert your footage to Rec.709

The CineColor LUTs come with four additional LUTs that will convert your footage to the standard color space (Rec.709):

LOG - flat color space (BMD Film, RedLogFilm, Cinestyle)

C-LOG - Canon’s semi-log color space – somewhere between LOG and Rec.709

S-LOG - Sony's log color space called S-Log2

Flat - semi flat color space like the Cinestyle-D on the Panasonic GH4 & other similar cameras

To use the CineColor LUTs, you will need one of the following applications:
Adobe Premiere CC 2014 and later versions

Adobe Speedgrade

Adobe Photoshop CS6 and later versions

Adobe After Effects CS5 and later versions

DaVinci Resolve FULL/lite

Apple Shake

Assimilate SCRATCH


Apple Final Cut Pro X - requires either the LUT Utility or the FCPX LUT Loader (free as of time of writing)

Adobe Premiere Pro CS5 and later versions (requires LUT Buddy which you can download for free here)

Final Cut Pro 6,7 (requires LUT Buddy which you can download for free here)

Apple Motion 3,4 (requires LUT Buddy which you can download for free here)

or any other application that supports 3D LUTs

CineColor LUTs 1 by Tom Antos - Pack 1

1 Video